Were all that not semi-hallucinogenic enough, Alien Superstar interpolates narcissistic anthem I’m Too Sexy by 90s dance-pop twosome Right Said Fred.īeyoncé rewired dance music past in a show of stunning ambition and stamina. She grinds with a dozen backing dancers to the jittery reggaeton of her boss bitch mission statement I’m That Girl, then dances with some actual robots (a pair of mechanical arms) during Cosy. Harking back to early house and techno and the ecstatic utopia of the dancefloor, a segment dedicated to the Renaissance album ensues with Beyoncé done up something akin to the Maschinenmensch in Metropolis. It’s an opening that seems designed to strip away artifice, if only to provide some sharp contrast for the heavily technologically augmented spectacle about to follow. By the second, Flaws and All, she already appears to be fighting back tears, whether of release or gratitude or both. And yet, once she emerges in the flesh – all sequins, shoulder pads and that megawatt smile, drinking in the crowd’s screams – she begins disarmingly with a slew of her rawest soul songs. “I want everything to be a surprise,” Bezerra smiles.īeyoncé appears first in a video cut scene, laid out luxuriously across the giant screen semi-naked in dimensions big enough to be visible from space. They were determined to come to the opening night to avoid social media spoilers about what to expect. Photograph: Kevin Mazur/Getty Images for Parkwoodīrazilian Yhes Bezerra wears a spangly cowboy hat like the one sported by Beyoncé in the tour poster, except theirs is homemade sticking on the thousands of tiny mirror panels took nine hours. With many of the show’s 36 songs abridged, the tempo was relentless. “To see her transcend, and become what she has become, especially as a Black woman, is exciting,” he enthuses.īeyoncé in Stockholm on Wednesday. Dressed head to toe in official tour merch, including a cap and hoodie both emblazoned with the word “THIQUE”, Mykwain Gainey has been to 20 Beyoncé shows over the past two decades and has spent nearly £2,000 to fly here from New York. The BeyHive, as Beyoncé’s fans collectively style themselves, are buzzing pre-show as they flood into the venue from around the world for their first chance proper to see their queen live since 2018’s On the Run II co-headliner with Mr B, Jay-Z. Dripping with sci-fi disco decadence, sex, body positivity and feminine Black pride, the near three-hour spectacular plays out in front, behind and, at times, inside a football-pitch-wide high-definition video screen designed to assault the senses at dizzying scale. Fifty-seven stadium dates globally, starting in Stockholm, are projected to gross as much as £1.9bn ($2.4bn) by the time the tour ends in New Orleans late September. The DISCO floor polisher head attaches to the SEBO Airbelt K3 Premium, Airbelt E3 Premium, DART and FELIX models.Titled after the Texan’s disco glitter bomb post-pandemic party album of the same name, Renaissance is a monster blockbuster concert experience on a different plane. Reinforced drive disc that provides optimal floor contact and a speed of 2,000 rpm Three rubber coated wheels to protect floor surfacesĪgile and easy to use, due to a highly maneuverable, 180 degree steering mechanism and high quality castorsĬonvenient machine width of 13 inches and a polishing path of 11 1/2 inches Lightweight, low cost, commercial grade machineīumpers to protect walls, furniture and the polisher Its drive disc has instantaneous height adjustment, along with automatic shut off caused by disc obstructions or suction blockages. It features a new floor pad technology that provides a high gloss shine to many types of hard floors without the use of water, chemicals or polishing sands. The DISCO floor polisher is lightweight, easy to operate and has a very low cost compared to alternative polishing machines.
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